A short visit to Hampton Court Palace
This is where Henry VII imprisoned his second wife, Anne Boleyn. Cardinal Wolsey built the palace and it was so grand that it compared favourably to the palaces owned by Henry VIII. To save himself, Wolsey gifted the palace to Henry to no long term avail. Wolsey died escaping those pursuing him to stand trial for treason.
Hampton Court remains largely intact because it was in use through to the 19th century and not destroyed in the Civil Wars.
The Mediaeval part
15th century through to the early 16th

The Mediaeval Entrance with a parade ground between it and the later entrance 
Defensive and grand at the same time. Built by Cardinal Wolsey and gifted to Henry VIII 
The Queen’s tower where Anne Boleyn had her chambers. And was locked up prior to execution 
This clock showed tides and other celestial phenomena. Important if you were to catch the Thames tides 
Some of the living quarters for staff and visitors 
Part of the market and trade guild area of the old palace 
Workshops near stables 
The functional areas were separate form the ceremonial “royal” areas 
A bit of the remaining panelling 
A walled city in mediaeval times. Even when there were no official visitors the upkeep sustained a large town inside and nearby 
The joins between the older palace, Henry’s Great Hall and the new Palace built on for William and Anne 
A view into the Great Hall. Last of its kind in royal palaces 
Some of the family scenes in glass
Housing and Feeding thousands
When the court arrived, hundreds of minor and important nobles came too. All had to be fed and housed

Part of the kitchens built to feed more than a thousand people twice a day. Preparation and serving area. 
I count eight spits there. Taken in the morning in late July. The fire is real and so was the heat. One of two such fire places. Note the helmet shape! 
Where soups, sauces and other delicate cooking was done. I like the play of the light 
A bit closer in to see the detail 
Another Oven. Many mouths to feed. 
Living quarters. Also the older palace to the right and the newer additions to the left.
The William and Anne additions
William and Anne planned to demolish the mediaeval palace and replace it with a Versailles themed new one. The planed demolition was never carried out.

An internal courtyard with water and all the things a modern 18th century monarch would want 
The competition was Farnce and Versailles. 
The gardens were as important as the buildings 
Gardens. Palace. Many rooms for many guests 
Music as it was played – and listened to 
The king got to sit by the fire when receiving dignitaries 
The gardens were hunting grounds in mediaeval times but times changed. You can imagine the secrets being shared on a walk beyond prying eyes and ears. 
The long water. Truth in advertising …
The surrounds
The gardens and surrounding buildings are part of the package

Long views … 
Sculpted trees. Manicured lawns. 
Welcome shade. 
Designed to impress 
Water. Statues. Probably a lot of horses back in the day … 
The other entrance 
The royal gardens 
Old Tilt yard now kitchen garden 
It says it is the Lions Gate. 
And protected by the Kings Arms 
Along the Grand entrance from the Thames 
Land at the royal dock on the Thames 
Through the gateway to the gardens 
With the palace in view 
A leisurely stroll or carriage ride along the path 
Check out the fountain 
Proceed to the 18th century palace
The Duke of Manchester was a traditional English hunting man. Regents Park is right next to Manchester Square where the Wallace Collection is located in the Duke’s hunting lodge built in 1776-1788 – because the duck shooting was good nearby. The house is known as Hertford House, having been acquired by the 2nd Marquess of Hertford and passed on to the next two generations and then to his illegitimate son Sir Richard Wallace. On his death and that of his widow, the complete collection was donated to the British people and the museum opened in 1900 in this building. At various times the building has been the Spanish and French Embassy as well as hosting the Allied Sovereigns Ball celebrating the defeat of Napoleon in 1814.
This is an example of intricately illustrated ceramic work that must have taken a lot of time and effort to produce. The Sèvres porcelain was what impressed me the most. The Sèvres porcelain factory was established by Louis XV and continued as a Royal factory until Louis XVI was deposed. The 3rd Marquess of Hertford collected a large amount of the porcelain through purchase of the Chateau de Bagatelle in 1835. Located in the Bois de Boulogne, Paris and re-built by a brother of Loius XVI in 1775, it was probably the royal connection that caused the collection to be kept in the Chateau.
There are four large cabinets like this with treasures that are hard to come to terms with. Each piece was made to be purchased by royalty with deep pockets and was able to be bought at auction when the original purchaser needed money or more often when property was inherited and valuables sold for cash. A collection like this could be a life’s work to assemble.
More exquisite detail and hand painted work. Even the best potters had a failure rate in the kiln that makes such fine work so expensive. The colours and even having more than one colour on a piece were licensed to the royal porcelain factory so that most people could not have anything this good. That changed after the French Revolution when the factory was “privatised” and looking for customers anywhere.

Another set of candle holders and pot-pourri vase in gondola style. It was probably bought from Madame De Pompadour, mistress to Louis XV.


























































